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[漢學資訊] 斯洛文尼亞藝術家王慧琴的個展在北京揭幕

[複製連結]
真衣 發表於 2012-3-27 23:02 | 顯示全部樓層 |閱讀模式
斯洛文尼亞著名藝術家王慧琴的個展『無可無不可』於2011年15日下午三點在北京798藝術中心白盒子展覽室拉開帷幕。王慧琴親自到場向給她提供幫助的中方協助者表示感謝,策展人、著名藝術家與評論家朱青生以簡短的演說概述了這一展覽所具的深刻的文化政治內涵。


王慧琴是一個具有多面才能、綜合創新能力,及高度學術含量的國際藝術家,她的各種不同種類與風格的作品,總是能夠刷新人們的藝術與思想感受力,並在歐洲各國及中國展出多次。本次的展出她帶來了最新的成果,不僅飽含了她對國際社會新秩序與歷史經驗的深邃思考,也開拓了未來藝術表現的一個新的向度。

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【圖像解說】


社會主義國家經歷改革開放,這是人類歷史上一次偉大的事件。60年代發生在南斯拉夫的修正主義事件,則是改革開放的一個較早的實驗。當時我們都記住了一個名字:鐵托。經過社會主義的市場經濟,雖然是以市場經濟的自由精神為思想的根本追求,但是這個追求中時刻都飽含着社會主義的平等和公正的色彩,而且這個平等絕對的抗議和揭露所謂『機會平等』,而是強調分配的公平,且這個分配的公平是隨時隨地、不間斷地成為社會的主要目標。王慧琴是生活在前南斯拉夫地區的斯洛文尼亞共和國的中國藝術家,她給我們帶來了對上述問題的壓縮性呈現。這就是在自由的西方市場經濟的環境中,社會主義的精神遺產所建造的社會公平和人間光明的可能性。


鐵托之所以可以將社會主義帶到一個體制和專斷的危險中,不僅經驗極為痛苦,而且教訓深刻。但是這個過程又是以鐵托對德國法西斯的專制制度的抗拒和對斯洛文尼亞王國封建制度的廢棄為前提,因為進步和向上,從而得到人民和知識分子的擁護和獻身。這一切雖然被改革開放的潮流所掩蓋,卻在知識分子和藝術家的作品和言論中獲得了深刻和公正的揭露。王慧琴藝術的深刻性還在於她雖然是一個中國的藝術家,但畢竟所在工作和創作的地區是一個基督教傳統的國度,因此對於社會主義的理解和堅持則和她的祖國形成了一個可資對比的鏡像。


王慧琴的藝術在中國展出的意義極不尋常,因為她告訴我們在自由被重新作為市場的基本性質,從而使權力和財富被人的欲望發展為貧富不均和投機取巧的社會心態時,藝術家如何將公平作為社會的基本權利,社會主義的遺產如何成為一個知識分子的良知,雖然它曾經被一段歷史構成了複雜的經驗,但是這種經驗正是我們需要藝術的理由。


Everything is Possible·Wang Huiqin Solo Exhibition


White Box Museum of Arts is proud to held from October 15th to the 25th " May orMay not - Wang Huiqin Solo Exhibition". The opening cerimony is on Saturday, October 15th, 2011,from 3 to 4p.m.

From an historical point of view, the fact that a socialist country go through an economic reform is always been seen as a great event. The Yugoslavian Revisionism during the 60's might be considered as an earlier experiment of this. At that time all of us remember a name: Tito. The fundamental demand of socialist market economy based on a freedom of the market, at the same time it included also egualitarism and justice with socialistic carachteristics. Moreover, this egalitarism absolutely correspond with the so-called "equal opportunity" that stressed the idea that an equal distribution should be at any time and any place. This became the main aspect of the socialistic ideology.

Wang Huiqin is a Chinese artist who lives in the Republic of Slovenia, an ex Yugoslavian country.

In her works she deeply shows all the questions mentioned above. In a Western liberal market context, build up an equal and human bright socialist culture is still possible.

The fact that Tito brought socialism into an arbitrary decision system, it was not only a huge suffering for the people, but a also a deep lesson for the humanity. This process has another important aspect: for Tito one of the prerogative was resist the German fascistic system and abandon the Slovenian Feudal structure in the aim of progress. This is the main reason why he also gained the support of all the people and the intellectuals which dedicate all their lives on the constitution of this ideology.

Although everything is been overshadowed by the economic reform, all those aspects can be clearly found on the works of artists and intellectuals. The weight of Wang Huiqin works is that even if she is a Chinese artist, her creative background is full of Slovenian Christian Tradition. For this reason, we can see a contrast reflected on her works between the understanding of socialism and her motherland characteristic.

The meaning of showing Wang Huiqin's works here in China is really particular. In her works she told us that a new kind of freedom has created a new type of market. Moreover, the development of human desire to reach right and richness has created an unequal and opportunistic society. In this societyhow the artists can equally represent the fundamental right of the society, how a socialist culture may become an intellectual conscience. Although once it was a complex part of the development of history, but at least this event is something that we really need to discover the reasons of the art practice.

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